Whispers of Alchemy: Castillo Pittamiglio

In the heart of Montevideo, Uruguay, where the urban fabric weaves a tapestry of modernity and tradition, there lies a structure that defies the ordinary – Castillo Pittamiglio. With its eclectic façade and enigmatic presence, this “castle” provides a gateway to the past, as a monument that harbors tales of alchemy and mysticism.

Built by the architect and alchemist Humberto Pittamiglio, the castle stands as a testament to a life dedicated to the esoteric and the profound. From the outside, the building captivates passersby with a replica of the iconic Greek sculpture, the Winged Victory of Samothrace, emerging from a round brick tower, crowned by a coat of arms.

Stepping inside, you’re transported into a world where every corner whispers secrets of ancient wisdom. The castle’s history is shrouded in stories, some even claiming it once housed the Holy Grail. The interior is a labyrinth of rooms and corridors, each adorned with alchemical, Templar, Rosicrucian, and Masonic symbols. There are several puzzles and conundrums within the building which make you think deeply about the present and past.

Pittamiglio believed in the metaphor that life is a journey on a ship, and he reflected this in the castle’s never-ending construction, which continued until his death. It’s said that this was also a representation of the ‘wet path’ of alchemy.

In short, Castillo Pittamiglio is more than just a building; it’s a narrative woven into the fabric of Montevideo’s culture. It invites the curious and the seekers to explore its depths and perhaps, in its shadows, find a piece of the eternal quest for knowledge and transformation.

~Richard

6 sentence story – Discombobulated

I had a little fun in GIMP today, loading up an image I had taken of an apartment block in the Old City in Montevideo, Uruguay last year and merging it with a desaturated copy slightly out of alignment to give a glitchy effect. I think this was a little inspired from last night’s viewing of the disconcerting TV series, Severance.

Anyhow. I also put together a micro story (six-sentence) to accompany the image, so please let me know what you think!

Despite shaking his head he still couldn’t focus. And the pill hadn’t helped. Where on earth was he? This trip had been particularly bad and now both his realities were out of alignment. He felt in his pocket. That’s odd, he thought, this isn’t my phone.

~Richard

Leaving my Mark

In  bygone days, when builders constructed or repaired buildings they would often leave a symbol on the property to indicate who had completed the work.

Today, I intended to spend a few hours repairing the loose stucco on one of our chimneys and then enjoy the rest of the beautiful sunny day. However, on closer inspection of the chimney I really had little choice but to strip off all the stucco and repair the whole stack above the roof line.  

Six hours later I was feeling fairly self-satisfied with a job well done, given this is not my profession, and so I thought I would add my own little symbol to my work.

I had made a few of these during my pottery with spare pieces of clay and really have no use for them, but now one sits fairly discreetly on our chimney.

160703_Mark

Egocentric behavior? Oh yes, but it appears ’twas ever thus, so why not? 🙂

~Richard

Urban(e) Art?

As a biologist I have an affinity for the so-called natural world and the beauty of nature but, having said that, there is also a lot of unseen beauty in many mundane areas of our industrialized world. One aspect that I like to explore photographically when taking a trip to our cities, is that of reflection in our glass superstructures.

This was taken in Manhattan from my hotel window and there is a wonderful mix of  the perfect straight lines and the waviness of the reflections in the not-so-perfect glass windows.

160617_UrbaneArt

~Richard

Lucy the Elephant

Billed variously as “the world’s largest elephant” and optimistically as “the largest zoomorphic architecture in the world” (hmm, if you’ve never heard of the Sphinx, or the Kakadu Crocodile Inn, perhaps?), Lucy the Elephant stands facing the Atlantic Ocean at Margate, New Jersey.

This wonderful old wooden structure, sheathed in tin sheeting, was built in 1881 by James V. Lafferty and used as a tourist novelty and to show the local real estate to prospective buyers for an ever-expanding Atlantic City in the late 19th century.  The six-storey building was originally called the Elephant Bazaar and was topped with a howdah to afford views of the area.  It formed part of a larger complex including Turkish baths as can be seen from this restored PD image, taken in the 1890s:

LucyElephant

The building picked up the name “Lucy the Elephant” in 1902 after it had been sold and was used for many purposes over the following decades.  By 1969 Lucy was in a poor state and was to be demolished, but a group of local enthusiasts banded together and saved the structure, moved her about 100 yards and repaired her  internally as well as providing a new  exterior “skin”.

She was subsequently designated a National Historic Landmark (amazing what difference a few years makes!) and is now maintained by the Save Lucy Committee who look after her every need!

I confess to never having heard of this wonderful piece of eccentric history until a few months ago, and I plan to visit her at some point in the near future and update this post with a few more contemporary images.  Stay tuned!

~Richard

 

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