uruguay – searching4theshot

We stumbled across this rather well composed street graffiti in Montevideo last winter (their Spring), and its construction of a 20 Peso banknote bearing the image of Juan Zorrilla de San Martín with added musical imagery intrigued me to conduct a little follow up research:

The image is of the poet, Juan Zorrilla de San Martín (1855–1931). However, he was much more than a poet; he was a beacon of Uruguayan identity. His verses celebrated the rugged landscapes, the gaucho spirit, and the resilience of a nation. His epic poem, “Tabaré,” immortalized the indigenous people and their struggles.

I am unsure as to the meaning that the artist wanted to impart to their audience through this juxtaposition, but I offer up the following verse by way of homage to both the poet and the street artist who pasted this to the wall:

In the city’s pulse, where concrete meets sky,
Whispers of poets and rebels never die.
Their ink spills onto walls, a silent plea—
Freedom, justice, love—their legacy.

~Richard

In the heart of Montevideo, Uruguay, where the urban fabric weaves a tapestry of modernity and tradition, there lies a structure that defies the ordinary – Castillo Pittamiglio. With its eclectic façade and enigmatic presence, this “castle” provides a gateway to the past, as a monument that harbors tales of alchemy and mysticism.

Built by the architect and alchemist Humberto Pittamiglio, the castle stands as a testament to a life dedicated to the esoteric and the profound. From the outside, the building captivates passersby with a replica of the iconic Greek sculpture, the Winged Victory of Samothrace, emerging from a round brick tower, crowned by a coat of arms.

Stepping inside, you’re transported into a world where every corner whispers secrets of ancient wisdom. The castle’s history is shrouded in stories, some even claiming it once housed the Holy Grail. The interior is a labyrinth of rooms and corridors, each adorned with alchemical, Templar, Rosicrucian, and Masonic symbols. There are several puzzles and conundrums within the building which make you think deeply about the present and past.

Pittamiglio believed in the metaphor that life is a journey on a ship, and he reflected this in the castle’s never-ending construction, which continued until his death. It’s said that this was also a representation of the ‘wet path’ of alchemy.

In short, Castillo Pittamiglio is more than just a building; it’s a narrative woven into the fabric of Montevideo’s culture. It invites the curious and the seekers to explore its depths and perhaps, in its shadows, find a piece of the eternal quest for knowledge and transformation.