Mondrian inspired work

Pieter Cornelis “Piet” Mondriaan was an important member of the De Stijl movement, founded in 1917, which sought to reduce their art to pure abstraction and simple form and color. Often this meant using only straight lines and primary colors in the work they produced. Mondrian (he dropped the second ‘a’ to fit in with the Paris art scene) is perhaps best known for his grid-based paintings that follow this form of “neoplasticism,” as shown in Composition II in Red, Blue, and Yellow, painted in 1930.

I have always liked the simplicity and boldness of this art and a couple of years ago I created some digital art that was inspired by it, although I modified the form by using using lines that intersected at angles other than 90 degrees in place of strict perpendiculars associated with Mondrian et al.  More recently I have translated those thoughts into ceramic work that builds on this thought into a three dimensional piece. This is the first piece to come out of the kiln.

170605_Mondrian2

170605_Mondrian1

~Richard

 

 

My tribute to Clarice Cliff ceramics

Nearly a century ago, back in the roaring twenties, there was a little known ceramic artist in England called Clarice Cliff, who worked at the A. J. Wilkinson pottery in Newport. She was soon noted as an accomplished decorator of their traditional wares and she was allowed free reign to also paint some of the defective pieces in her own patterns. Initially she covered the blemishes on the pottery in simple triangles, in a style which she named “Bizarre.” Much to the surprise of the company’s senior salesman, these pieces were very popular and led to Clarice being given more autonomy and to design the actual pieces of pottery for painting.

In the 1930s two factories were built to specifically produce her ceramic wares, always with bold colors and often with unusual shapes that fit the art deco style of the period. Her work was produced until 1964 and remains popular to this day.

When I was a child we were fortunate enough to own two Clarice Cliff vases and a bowl, and their designs always intrigued me. Last year, when I had a little time on my hands in the ceramics studio I created a vase in a similar style, but I left it on the shelf for nearly a year as I was not ready to tackle how to complete the design.

Over the last couple of weeks I finally got round to finishing this piece, loosely based on one of her leaf designs from another work, as my tribute to this quintessentially British designer.

170517_ClariceCliff1

170517_ClariceCliff2

~Richard

Artful rescuing and repurposing an idea

Many months ago I created a roughly square ceramic plate on which I was going to use some creative glaze. After drying this was put in the kiln to bisque fire but unfortunately it cracked badly, possibly due to another piece of work being placed on it during firing, so creating some heat stress. I was disappointed but at least the plate was intact so I left it on the shelf in the studio. I would bring it down once in a while to think about what to do and then usually put it back again.

Then a few months ago I decided it was taking up too much space and I should experiment with some more glazes and finally use this piece. So, I dipped one half in assad black glaze and the other in white and then fired it, as this was my favorite combo at that time for several pieces I had created.

When I took the plate from the kiln I was immediately struck by the vision of a dark sky being torn asunder by a tornado tearing across the plain, with mountains in the distance.

A few more weeks passed and I thought why not add the most iconic red shoes to this scene as a finishing touch!

170505_Inspiration.jpg

It would be great to hear of others’ stories of saving or reusing damaged pieces of art to create a totally new piece.

~Richard

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