Then and Now: Tower Bridge and The Tower of London

As I am wont to do, I was browsing the Library Of Congress’ collection of old photographs yesterday when I stumbled across a great panoramic image of Tower Bridge and The Tower of London taken from Southwark in 1909. As the image is public domain I downloaded the TIFF file and spend a few hours in GIMP restoring this great shot. The great thing about restoring and retouching is that I go over the whole image “pixel-peeping” and so see lots of details such as the man in the skiff, people promenading along the north bank near Traitor’s Gate and the old signs on the warehouses at St. Katharine’s Docks, to name a few.

160719_TowerBridge1909

I thought it might be interesting to see a more contemporary view. As I cannot get to London from Pennsylvania that easily I used Google street view to come to my rescue with a fairly similar angle, just up from where HMS Belfast is berthed.

160719_TowerBridge2014

Unsurprisingly, much of this area has changed over the last century with the working dockyards for loading and unloading barges long gone as the road network and container ships took over transporting goods, and the warehouses at St. Katharine’s Docks were bombed out during the Blitz, but the two main London icons live on, and I am sure the original photographer would have marveled at the sight of Canary Wharf in the distance.

~Richard

52 Week Challenge: Week 8

Week 8: Landscape: Wide Angle/Panorama – This is a great opportunity to explore panorama stitching and create a wide sweeping landscape.

Today was unseasonably warm, rising to 61°F (16°C) in the afternoon, so I took the opportunity after my Saturday taxi driving for the entire family over several hours to visit a local nature preserve while there was still some sunlight left and before the next round of vehicular collections was due.

I know the experts all tell us to use a tripod for panorama shots but, to be honest, I was in a bit of a rush, and I know I have pretty steady hands,so I initially tried using the in-camera panorama mode of my Panasonic GX8 to produce this quick image:

P1020271

For everyday use I think it does a good job. The camera uses rapid fire mode and you simply pan it left to right. The only downside is that it produces an image only 1920px tall, so it’s a bit limited for printing.

So, over to the manual approach and the use of stitching software, as requested in this week’s challenge. I have used the free  Hugin image stitcher before which is very capable and allow for a lot of fine tuning. However, this time I used the much more intuitive (and free) Microsoft Image Composite Editor (ICE).

So the process is to take a series of shots when panning, ensuring that at least 30% of the image overlaps between frames. This gives the software a lot of ability to match elements in the images and so map them properly. By using the camera vertically I was able to get a panorama 5002px in height and 17695px wide. Big enough to do a lot with! The reason is wasn’t full sensor height was because I hand held and wasn’t perfect in holding it level throughout the series, so ICE had to crop it to get a straight edge. It’s all easy to do though.

I made several composites but in the end I chose this one, simply because I liked the texture of the corn (maize) field in the foreground:

P1020286_stitchEDIT

~Richard

#dogwood52 #dogwoodweek8

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