Whispers of Alchemy: Castillo Pittamiglio

In the heart of Montevideo, Uruguay, where the urban fabric weaves a tapestry of modernity and tradition, there lies a structure that defies the ordinary – Castillo Pittamiglio. With its eclectic façade and enigmatic presence, this “castle” provides a gateway to the past, as a monument that harbors tales of alchemy and mysticism.

Built by the architect and alchemist Humberto Pittamiglio, the castle stands as a testament to a life dedicated to the esoteric and the profound. From the outside, the building captivates passersby with a replica of the iconic Greek sculpture, the Winged Victory of Samothrace, emerging from a round brick tower, crowned by a coat of arms.

Stepping inside, you’re transported into a world where every corner whispers secrets of ancient wisdom. The castle’s history is shrouded in stories, some even claiming it once housed the Holy Grail. The interior is a labyrinth of rooms and corridors, each adorned with alchemical, Templar, Rosicrucian, and Masonic symbols. There are several puzzles and conundrums within the building which make you think deeply about the present and past.

Pittamiglio believed in the metaphor that life is a journey on a ship, and he reflected this in the castle’s never-ending construction, which continued until his death. It’s said that this was also a representation of the ‘wet path’ of alchemy.

In short, Castillo Pittamiglio is more than just a building; it’s a narrative woven into the fabric of Montevideo’s culture. It invites the curious and the seekers to explore its depths and perhaps, in its shadows, find a piece of the eternal quest for knowledge and transformation.

~Richard

Catching Sunbeams

The old man worked his way methodically through the meadow, his long cloak brushing through the tall summer grasses. It was almost dusk and he still had a lot of work to do before the Solstice was over. On this, the longest day, he had been up before dawn setting out his traps along the ley line than from the ancient gnarled oak and down the hill towards the brook. It was a pattern he had repeated twice each year for longer than he could remember. It had been well over a hundred and fifty times by his reckoning. Although the summer had always been easier than the winter, these last few years were really taking their toll on him. His joints ached but he would soon be finished. He recalled how, all those years ago, as a young boy, he had bounded through the fields, full of enthusiasm as he had learned his trade from his predecessor. How he had been scolded and told to slow down and feel the rods to make sure they were placed perfectly and had done their deed.

He had thought the tradition would continue forever, and be passed down for generations to come, but he was wrong. First, the Great War had taken so many from the village and then the revolution that brought technology had relegated so many of the old ways to mere folklore. He was truly amazed at the speed of the change. He had no apprentice, and over the last few years he had resigned himself to being the last Collector.

As he reached the final rod he carefully unfastened the iron jar from his belt, traced his forefinger over the runes on the lid and removed it. With a clockwise twisting motion he extracted the iron rod from the ground and gently tilted the hoop over the mouth of the jar with practiced, steady hands. He muttered his short incantation and gently tapped the hoop, watching as the sunbeams slowly, almost reluctantly, drifted into the jar. Replacing the lid, he added the final rod to the quiver on his back and turned to watch the sunset.

This had been another good harvest.

160421_SunbeamCatcher

~ Richard

© 2016, Richard Reeve

 

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