Camera Obscura in San Francisco

Just under a decade ago we moved to the west coast of the US and lived near San Francisco. Being new to the area we wanted to see as much of the area as possible and one sunny day, when checking out the ruins of the Sutro Baths and nearby Cliff House, we stumbled across this wonderful camera obscura on the cliff edge:

160221_CameraObscura

This camera obscura (literally “dark room”) uses a mirror in the pointed roof of the building to reflect light down through a lens onto a 6 ft (2m) diameter parabolic horizontal viewing table which gives a more even focus across the surface, magnifying the image 7-fold. What makes this one even more interesting is that the mirror rotates a full circle every 6 minutes giving a full 360° view of the area.

This wonderful building was built in the late 1940s as part of the Playland amusement park and was only placed on the National Register of Historic Places in 2001 after several threats of demolition following the closure and redevelopment of Playland in the 1970s.

The images of Seal Rock and the surrounding area were amazing, especially when considering this is such relatively simple technology, first described in the writings of the Chinese philosopher Mozi in the 4th century BCE.

Even the children were impressed back then, and that takes a lot to achieve these days!

~Richard

 

Quintessentially British? – The Mini

There was a time when I was younger, back in the UK, that just about everyone had owned a mini at some point. They were everywhere. A small car designed to fit in a 10ft x 4ft x 4ft space, carry 4 people at highway speeds and sip fuel.

Following his success with the iconic Morris Minor, Sir Alec Issigonis’ design was an instant hit in 1959 and remained in production, largely unchanged until 2000. Over 5.3 million units were made and it became a British icon alongside Big Ben and the Union Jack.

The Mini is one of the most iconic images of post-war Britain. It symbolizes the swinging 60’s: Carnaby Street, youth culture, rock & roll, sexual liberation, and freedom for the common people.

What could be more British than that?

Well, it must not be forgotten that it was designed by a Greek refugee, Alexander “Alec” Issigonis, later knighted for his engineering/design work. Alec fled to Britain with his family from Smryna in Greece (now called Izmir in Turkey) during the Greco-Turkish war of 1919-1922.

160216_Mini

My point of designing this simple art work was to bring to the fore the concept that we are all one people and you cannot predict who will do what for whom. In these days of vitriolic rhetoric aimed at the sea of refugees fleeing the Middle East, this is perhaps something we should reflect upon…

~Richard

 

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